Leading 6 Improvisation Strategies For Jazz Piano

All set to enhance your jazz piano improvisation book improvisation skills for the piano? Much more merely, if you're playing a song that remains in swing time, after that you're already playing to a triplet feel (you're visualizing that each beat is split into 3 8th note triplets - and every off-beat you play is delayed and used the third triplet note (so you're not also playing two evenly spaced 8th notes to start with).

So as opposed to playing two 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note right into three 'eighth note triplet' notes - where each note of the triplet is the same size. The very first improvisation method is 'chord tone soloing', which means to make up melodies using the four chord tones of the chord (1 3 5 7).

I usually play all-natural 9ths over most chords - including all 3 chords of the major ii-V-I. This 'chordal structure' seems best if you play your right hand loudly, and left hand (chord) a bit quieter - to make sure that the audience hears the melody note on top.

Merely precede any kind of chord tone by playing the note a half-step listed below. To do this, walk up in half-steps (with the entire chromatic scale), and make note of all the notes that aren't in your existing scale. Cm7 expression (7 9 3 5) with solitary tune note (C) played to interesting rhythm.

Now you can play this 5 note range (the incorrect notes) over the same C small 7 chord in your left hand. With this strategy you just play the same notes that you're currently playing in the chord. Chord scale above - half-step below - target note (e.g. E - C# - D).

Many jazz piano solos include an area where the melody stops, and the pianist plays a collection of chord voicings, to an interesting rhythm. These consist of chord tone soloing, method patterns, triplet rhythms, 'chordal appearances', 'playing out' and a lot more.