Jazz Piano Improvisation

It's all concerning finding out jazz language when it comes to ending up being an excellent jazz improviser. So unlike the 'half-step below approach' (which can be outside the scale), when approaching from above it sounds far better when you maintain your notes within the scale that you're in. That's why it's called the 'chord scale above' technique - it remains in the scale.

So as opposed to playing 2 8 notes straight, which would last one quarter note ('one' - 'and'), you can divide that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same size. The very first improvisation method is 'chord tone soloing', which implies to compose tunes making use of the four chord tones of the chord (1 3 5 7).

I usually play natural 9ths above a lot of chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal structure' appears finest if you play your right-hand man noisally, and left hand (chord) a little bit more quiet - to make sure that the audience hears the melody note ahead.

Merely come before any chord tone by playing the note a half-step listed below. To do this, stroll up in half-steps (via the whole colorful scale), and make note of all the notes that aren't in your existing range. Cm7 expression (7 9 3 5) with solitary tune note (C) played to intriguing rhythm.

Now you could play this 5 note range (the wrong notes) over the very same C minor 7 chord in your left hand. With this method you just play the same notes that you're currently playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).

The majority of jazz piano solos include a section where the tune stops, and Bookmarks the pianist plays a series of chord enunciations, to an intriguing rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and much more.