Jazz Piano Improvisation

It's all concerning learning jazz language when it comes to becoming a fantastic jazz improviser. So unlike the 'half-step listed below technique' (which can be outside the range), when approaching from above it appears much better when you keep your notes within the range that you're in. That's why it's called the 'chord scale above' method - it stays in the range.

So instead of playing 2 eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note right into three '8th note triplet' notes - where each note of the triplet is the same size. The initial improvisation strategy is 'chord tone soloing', which implies to compose melodies utilizing the 4 chord tones of the chord (1 3 5 7).

I normally play natural 9ths over a lot of chords - including all 3 chords of the major ii-V-I. This 'chordal texture' seems finest if you play your right-hand man noisally, and left hand (chord) a little bit quieter - to ensure that the listener hears the melody note ahead.

It's fine for these units to find out of scale, as long as they wind up solving to the 'target note' - which will generally be among the chord tones. The 'chord range over' approach - precede any kind of chord tone (1 3 5 7) with the note over. In music, a 'triplet' is when you play three equally spaced notes in the space of two.

Currently you might play this 5 note scale (the wrong notes) over the very same C minor 7 chord in your left hand. With this strategy you just play the exact same notes that you're already playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).

The majority of jazz piano improvisation book piano solos include an area where the melody quits, and the pianist plays a collection of chord enunciations, to a fascinating rhythm. These consist of chord tone soloing, method patterns, triplet rhythms, 'chordal structures', 'playing out' and much more.