Jazz Improvisation Tips

It's all about discovering jazz language when it comes to ending up being an excellent jazz piano technique exercises improviser. So unlike the 'half-step below approach' (which can be outside the range), when coming close to from above it seems far better when you keep your notes within the range that you remain in. That's why it's called the 'chord range over' strategy - it remains in the scale.

So as opposed to playing 2 8 notes straight, which would last one quarter note ('one' - 'and'), you can split that quarter note into 3 'eighth note triplet' notes - where each note of the triplet is the same length. The very first improvisation method is 'chord tone soloing', which implies to make up melodies using the four chord tones of the chord (1 3 5 7).

I usually play natural 9ths above many chords - including all 3 chords of the major ii-V-I. This 'chordal appearance' seems ideal if you play your right-hand man noisally, and left hand (chord) a bit more quiet - to make sure that the listener hears the melody note on the top.

It's great for these units to come out of scale, as long as they end up solving to the 'target note' - which will generally be one of the chord tones. The 'chord range above' technique - precede any type of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play three equally spaced notes in the room of two.

Jazz musicians will certainly play from a wide variety of pre-written ariose forms, which are put prior to a 'target note' (usually a chord tone, 1 3 5 7). First let's establish the 'right notes' - usually I would certainly play from the dorian range over minor 7 chord.

Most jazz piano solos include an area where the tune stops, and the pianist plays a series of chord expressions, to an intriguing rhythm. These consist of chord tone soloing, technique patterns, triplet rhythms, 'chordal appearances', 'playing out' and extra.