Free Jazz Improvisation PDF Downloads

All set to enhance your jazz improvisation skills for the piano? Much more simply, if you're playing a tune that's in swing time, then you're currently playing to a triplet feel (you're thinking of that each beat is divided right into 3 8th note triplets - and every off-beat you play is postponed and used the third triplet note (so you're not even playing 2 evenly spaced eighth notes to start with).

So as opposed to playing two 8 notes in a row, which would last one quarter note ('one' - 'and'), Bookmarks you can split that quarter note into 3 '8th note triplet' notes - where each note of the triplet is the same length. The very first improvisation strategy is 'chord tone soloing', which implies to make up melodies making use of the 4 chord tones of the chord (1 3 5 7).

I typically play all-natural 9ths above the majority of chords - consisting of all 3 chords of the major ii-V-I. This 'chordal structure' seems best if you play your right hand loudly, and left hand (chord) a bit more quiet - so that the listener hears the melody note on the top.

It's fine for these enclosures to find out of scale, as long as they end up fixing to the 'target note' - which will usually be among the chord tones. The 'chord range above' approach - precede any chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play 3 equally spaced notes in the room of two.

Now you can play this 5 note scale (the wrong notes) over the exact same C small 7 chord in your left hand. With this method you just play the exact same notes that you're already playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).

The majority of jazz piano solos feature a section where the melody quits, and the pianist plays a collection of chord voicings, to an interesting rhythm. These include chord tone soloing, technique patterns, triplet rhythms, 'chordal textures', 'playing out' and much more.