Jazz Piano Improvisation

When it pertains to ending up being a wonderful jazz piano improvisation book improviser, it's all about finding out jazz language. So unlike the 'half-step below approach' (which can be outside the range), when approaching from over it sounds far better when you keep your notes within the range that you remain in. That's why it's called the 'chord scale above' approach - it stays in the range.

So instead of playing 2 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three '8th note triplet' notes - where each note of the triplet is the same size. The initial improvisation strategy is 'chord tone soloing', which implies to compose melodies utilizing the 4 chord tones of the chord (1 3 5 7).

For this to work, it needs to be the next note up within the scale that the songs is in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any note length (fifty percent note, quarter note, eighth note) - however when soloing, it's usually put on eighth notes.

It's great for these rooms to find out of range, as long as they wind up solving to the 'target note' - which will usually be one of the chord tones. The 'chord scale over' strategy - come before any type of chord tone (1 3 5 7) with the note over. In music, a 'triplet' is when you play 3 uniformly spaced notes in the room of two.

Now you might play this 5 note scale (the incorrect notes) over the very same C minor 7 chord in your left hand. With this method you just play the very same notes that you're currently playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).

The majority of jazz piano solos feature an area where the tune quits, and the pianist plays a series of chord enunciations, to a fascinating rhythm. These include chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and much more.