Jazz Piano Improvisation

When it concerns coming to be a terrific jazz improviser, it's all about finding out jazz language. So unlike the 'half-step below technique' (which can be outside the scale), Bookmarks when approaching from over it appears far better when you maintain your notes within the range that you're in. That's why it's called the 'chord scale above' technique - it stays in the range.

If you're playing in C dorian range, the incorrect notes (absent notes) will certainly be C# E F# G # B (or the notes of E major pentatonic scale). Half-step below - chord range above - target note (e.g. C# - E - D). In this post I'll reveal you 6 improvisation techniques for jazz piano (or any instrument).

For this to work, it needs to be the following note up within the scale that the songs remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any note size (fifty percent note, quarter note, 8th note) - but when soloing, it's typically related to eighth notes.

It's great for these units ahead out of range, as long as they end up solving to the 'target note' - which will generally be one of the chord tones. The 'chord scale above' approach - precede any kind of chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play three equally spaced notes in the space of two.

Now you might play this 5 note scale (the incorrect notes) over the same C minor 7 chord in your left hand. With this strategy you simply play the same notes that you're currently playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).

The majority of jazz piano solos include an area where the tune stops, and the pianist plays a series of chord voicings, to a fascinating rhythm. These consist of chord tone soloing, technique patterns, triplet rhythms, 'chordal appearances', 'playing out' and much more.