Jazz Piano Improvisation

When it concerns ending up being a great jazz improviser, it's all about learning jazz language. So unlike the 'half-step listed below technique' (which can be outside the scale), when approaching from over it sounds much better when you keep your notes within the scale that you remain in. That's why it's called the 'chord range over' technique - it remains in the range.

If you're playing in C dorian range, the wrong notes (absent notes) will be C# E F# G # B (or the notes of E significant pentatonic range). Half-step listed below - chord range above - target note (e.g. C# - E - D). In this article I'll reveal you 6 improvisation strategies for jazz piano (or any kind of instrument).

I normally play natural 9ths over most chords - consisting of all 3 chords of the major ii-V-I. This 'chordal structure' seems best if you play your right-hand man loudly, and left hand (chord) a bit quieter - so that the listener hears the melody note ahead.

Simply come before any type of chord tone by playing the note a half-step listed below. To do this, walk up in half-steps (with the whole chromatic range), and make note of all the notes that aren't in your present scale. Cm7 expression (7 9 3 5) with solitary melody note (C) played to fascinating rhythm.

Jazz musicians will certainly play from a wide range of pre-written melodic shapes, which are put prior to a 'target note' (normally a chord tone, 1 3 5 7). Initially allow's develop the 'appropriate notes' - generally I would certainly play from the dorian scale over minor 7 chord.

KEEP IN MIND: You also get a good series of steps to play, from 7 - 1 - 9 - 3 - if you wish to play a brief scale in your solo. However, to stop your having fun from appearing foreseeable (and Bookmarks burst out of 8th note pattern), you need to vary the rhythms every now and then.