Jazz Piano Improvisation

When it comes to becoming a fantastic jazz improviser, it's everything about learning jazz piano improvisation course language. So unlike the 'half-step below method' (which can be outside the scale), when approaching from over it appears much better when you keep your notes within the range that you're in. That's why it's called the 'chord range above' method - it remains in the scale.

If you're playing in C dorian range, the wrong notes (absent notes) will certainly be C# E F# G # B (or the notes of E significant pentatonic range). Half-step listed below - chord range above - target note (e.g. C# - E - D). In this write-up I'll reveal you 6 improvisation strategies for jazz piano (or any type of instrument).

I normally play natural 9ths over a lot of chords - including all 3 chords of the significant ii-V-I. This 'chordal texture' sounds best if you play your right hand noisally, and left hand (chord) a bit more quiet - to make sure that the audience hears the melody note on top.

It's fine for these enclosures ahead out of scale, as long as they end up resolving to the 'target note' - which will usually be among the chord tones. The 'chord scale over' strategy - come before any type of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three uniformly spaced notes in the room of 2.

Now you can play this 5 note scale (the incorrect notes) over the same C small 7 chord in your left hand. With this strategy you just play the very same notes that you're already playing in the chord. Chord scale above - half-step listed below - target note (e.g. E - C# - D).

The majority of jazz piano solos feature a section where the tune stops, and the pianist plays a series of chord enunciations, to an interesting rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal structures', 'playing out' and much more.