Free Jazz Improvisation PDF Downloads

Ready to improve your jazz improvisation abilities for the piano? Much more simply, if you're playing a tune that's in swing time, then you're already playing to a triplet feeling (you're imagining that each beat is divided right into three eighth note triplets - and every off-beat you play is postponed and used the 3rd triplet note (so you're not also playing two uniformly spaced 8th notes to start with).

So as opposed to playing 2 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note into 3 '8th note triplet' notes - where each note of the triplet coincides size. The initial improvisation strategy is 'chord tone soloing', which indicates to compose melodies making use of the four chord tones of the chord (1 3 5 7).

I usually play natural 9ths above most chords - including all 3 chords of the major ii-V-I. This 'chordal appearance' sounds finest if you play your right-hand man loudly, and left hand (chord) a bit quieter - so that the listener hears the melody note ahead.

Just come before any chord tone by playing the note a half-step below. To do this, walk up in half-steps (via the whole chromatic range), and Bookmarks make note of all the notes that aren't in your current range. Cm7 enunciation (7 9 3 5) with single tune note (C) played to intriguing rhythm.

Currently you might play this 5 note range (the incorrect notes) over the same C small 7 chord in your left hand. With this technique you just play the very same notes that you're currently playing in the chord. Chord scale over - half-step below - target note (e.g. E - C# - D).

Most jazz piano solos include an area where the tune quits, and the pianist plays a collection of chord enunciations, to an intriguing rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal textures', 'playing out' and extra.