Jazz Piano Improvisation

When it involves ending up being an excellent jazz improviser, it's everything about finding out jazz language. So unlike the 'half-step below approach' (which can be outside the range), when approaching from over it sounds far better when you maintain your notes within the range that you're in. That's why it's called the 'chord range above' technique - it remains in the range.

So as opposed to playing 2 eight notes in a row, which would last one quarter note ('one' - 'and'), you can separate that quarter note right into 3 '8th note triplet' notes - where each note of the triplet is the same length. The initial improvisation method is 'chord tone soloing', which suggests to compose tunes utilizing the 4 chord tones of the chord (1 3 5 7).

For this to work, it requires to be the next note up within the range that the music is in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any kind of note size (half note, quarter note, eighth note) - yet when soloing, it's normally applied to 8th notes.

It's fine for these units to find out of range, as long as they wind up solving to the 'target note' - which will normally be among the chord tones. The 'chord scale above' technique - come before any chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play three evenly spaced notes in the area of 2.

Jazz artists will certainly play from a variety of pre-written melodious shapes, which are put prior to a 'target note' (usually a chord tone, 1 3 5 7). Initially let's develop the 'right notes' - typically I would certainly play from the dorian range over minor 7 chord.

Most jazz piano solos include a section where the melody quits, and the pianist plays a series of chord expressions, to an interesting rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', Bookmarks 'playing out' and much more.