Just How To Exercise Jazz Piano Improvisation

It's all regarding discovering jazz language when it comes to coming to be a great jazz improvisation techniques improviser. So unlike the 'half-step below approach' (which can be outside the scale), when coming close to from over it appears better when you keep your notes within the range that you remain in. That's why it's called the 'chord scale above' approach - it remains in the range.

So rather than playing two 8 notes straight, which would last one quarter note ('one' - 'and'), you can divide that quarter note into 3 'eighth note triplet' notes - where each note of the triplet is the same length. The very first improvisation strategy is 'chord tone soloing', which indicates to make up tunes utilizing the 4 chord tones of the chord (1 3 5 7).

I generally play all-natural 9ths over many chords - including all 3 chords of the significant ii-V-I. This 'chordal appearance' sounds finest if you play your right-hand man loudly, and left hand (chord) a little bit quieter - to ensure that the listener hears the melody note on the top.

It's fine for these rooms to find out of range, as long as they end up settling to the 'target note' - which will normally be one of the chord tones. The 'chord scale above' method - precede any type of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play 3 uniformly spaced notes in the space of two.

Now you can play this 5 note scale (the incorrect notes) over the same C minor 7 chord in your left hand. With this technique you simply play the very same notes that you're already playing in the chord. Chord scale above - half-step listed below - target note (e.g. E - C# - D).

Most jazz piano solos include an area where the melody quits, and the pianist plays a series of chord expressions, to a fascinating rhythm. These include chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and extra.